@prefix lcsh: .
@prefix rdf: .
@prefix skos: .
lcsh:sh00003139 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "Work cat.: Substance use in popular movies & music, 1999."@eng;
skos:prefLabel "Drugs in popular music"@eng;
skos:scopeNote "Here are entered works on the representation of drugs in popular music."@eng.
lcsh:sh00003140 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "Work cat.: Substance use in popular movies & music, 1999."@eng;
skos:prefLabel "Smoking in popular music"@eng;
skos:scopeNote "Here are entered works on the representation of smoking in popular music."@eng.
lcsh:sh00003142 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "Work cat.: Substance use in popular movies & music, 1999."@eng;
skos:prefLabel "Drinking in popular music"@eng;
skos:scopeNote "Here are entered works on the representation of drinking in popular music."@eng.
lcsh:sh2001002354 a skos:Concept;
skos:altLabel "Ethno pop (Music)"@eng,
"Ethnopop (Music)"@eng,
"World fusion (Music)"@eng,
"Worldbeat (Music)"@eng;
skos:broader lcsh:sh85088865,
lcsh:sh93002569;
skos:editorialNote "All music guide to rock, 1995 (What world beat is depends to some degree on whom you're asking for a definition, but in general it could be said to refer to contemporary music produced from outside of mainstream American and European rock and pop forms, often incorporating rock, pop, and modern technology into indigenous traditional music. It wasn't until the beginning of the 1980's that world music began to exert a significant influence on Western rock culture)"@eng,
"BDNE (World Beat)"@eng,
"Hennepin (World beat music)"@eng,
"New Rolling Stone encyc. of rock & roll, 1995: under World music (The term world music was coined in the late eighties as a way to pigeonhole popular or contemporary musical styles from countries other than the United States or Great Britain, and refers primarily to styles and genres outside these musical traditions. World music is a sweeping category used to describe international styles that are neither art nor classical, nor artificially preserved folk music, but rather the living music of ordinary people. World beat, another term describing popular music from around the world, also refers to music by British or American jazz and rock groups that incorporate international sounds into their own work)"@eng,
"Taylor, T.D. Global pop : world music, world markets, 1997: p. 1 (One of the most notable trends in the music industry since the 1980s has been the rise in popularity of new music genres: world music, world beat, world fusion; in Germany, Weltbeat and Weltmusik; in other parts of the world, ethno pop, Afropop, Afro beat. Offshoots of these genres include: tribal, techno-tribal, and cyber tribal, as well as ambient trance, and new age) p. 3 (World beat, when used at all, usually applies to popular musics from non-European cultures)"@eng,
"White, D. Dict. of popular music styles of the world, 1998: p. vii (\"Worldbeat\", or \"ethnopop\", describes modern or contemporary ethnic pop music. It is the old ethnic folk music forms modernized, frequently electrified, and \"rocked up\" to a contemporary beat. True \"worldbeat\" retains the ethnic rhythmic and melodic patterns and is NOT just an American or Western melody sung in a foreign language)"@eng;
skos:narrower lcsh:sh99011295;
skos:prefLabel "World beat (Music)"@eng.
lcsh:sh2001002368 a skos:Concept;
skos:altLabel "Country music--1931-1940"@eng,
"Country music--To 1931"@eng,
"Hillbilly music"@eng,
"Mountain music"@eng,
"Old timey music"@eng,
"Old-time country music"@eng,
"Old-time mountain music"@eng,
"Old-time music--United States"@eng;
skos:broader lcsh:sh85049847,
lcsh:sh85088865;
skos:editorialNote "Encyc. of country music, 1998 (old-time music is generally used to refer to the styles and repertoires that dominated commercial country music's first decade, roughly from 1924-1935. The term seemed to originate with the record companies and publishers of the time who did not have a clear idea of what to call the music during its early days. Styles include: string band music either in bands or fiddle-guitar duets; group harmony singing; a form of white blues and related yodeling; a solo singing tradition in which artists adapted traditional material to various instrumental accompaniment)"@eng,
"Google WWW search engine, July 10, 2001 (usage: old-time (old time) music (1600 hits); old-time country music (1600); old timey music (1100); old timey country music (33); old time mountain music (361); mountain music (24,100))"@eng,
"LC database, June 19, 2001 (usage: old time music; old timey ...; old time country music)"@eng,
"New Grove, 2nd ed.: under Country music (discusses the style but does not name it)"@eng,
"Old-time music WWW home page, May 14, 2001 (most old time musicians were white rural agrarian Southerners; singing was unschooled; musicianship expressed primarily through strings; song repertoire divided broadly between secular and sacred and further subdivided into categories of traditional, commercial, and original songs; developed in rural and isolated areas of the Southern Appalachian and other regions; two main strains of the music come from the banjo and the fiddle which were played separately and together, particularly for square dancing; songs and ballads, many imported from the British Isles and many written in American, are also an important part of old-time music)"@eng,
"Penguin encyc. of popular music, 1990 (country music, variously known in the past as folk music, old-time music, hillbilly, C & W (country & western), etc.)"@eng,
"Work cat.: Were'd you come from, where'd you go?, p1996: container (golden age of old time music (the 1920s and 30s); music that preceded bluegrass and modern country music and from which those later forms evolved in the 40s and 50s) insert (old time music evolved into bluegrass and country music)"@eng;
skos:narrower lcsh:sh2001005054;
skos:prefLabel "Old-time music"@eng;
skos:scopeNote "Here is entered country music of the 1930's and earlier periods played and sung in the old-time styles as well as music of later periods performed in those styles."@eng.
lcsh:sh2002002865 a skos:Concept;
skos:altLabel "Goth rock music"@eng;
skos:broader lcsh:sh96004375;
skos:editorialNote "All music guide WWW site, Dec. 30, 2002 (goth rock: offshoot of post-punk that existed primarily during the early to mid-'80s. Its reputation as the darkest and gloomiest form of underground rock is largely deserved, though today that reputation stems more from the visual theatricality of its bands and black-clad followers. Sonically, goth rock took the cold synthesizers and processed guitars of post-punk and used them to construct foreboding, sorrowful, often epic soundscapes. Early on, its lyrics were usually introspective and intensely personal, but its poetic sensibilities soon led to a taste for literary romanticism, morbidity, religious symbolism, and/or supernatural mysticism. By the end of the '80s, the original goth-rock movement had ceased to exist, but the music mutated into new forms and continued to influence many of rock's darker subgenres. During the '90s, the goth sound began to cross-pollinate with industrial music, producing hybrids that appealed to both sides, as well as the darkwave subgenre (which also incorporated '80s synth-pop and dream-pop))"@eng,
"New Grove, 2nd ed. WWW site, Dec. 30, 2002"@eng,
"Pickering, D. Cassell companion to 20th-century music (gothic: genre of heavy rock music of the 1980s and 1990s, descended from punk rock, which is characterized by unfailing pessimism and the wearing of black clothes)"@eng,
"Shuker, R. Key concepts in popular music (goth/gothic rock: musical genre and associated subcultural style)"@eng,
"White, D. Dict. pop. mus. styles world (Gothic rock: angst-driven rock style of the 1980s and 1990s; x-ref. from Goth rock)"@eng,
"Wicke, P. Handbuch der populären Musik (Gothic Rock)"@eng,
"Work cat.: 2002501398: Gothic, c2000."@eng;
skos:narrower lcsh:sh2003002073;
skos:prefLabel "Gothic rock music"@eng.
lcsh:sh2002007216 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "Lounge-a-palooza [SR] p1997: container (\"Taking lounge music to its illogical conclusion\")"@eng,
"Online, Nov. 23, 2001 All Music Guide: (Lounge refers to a strain of easy listening music from the '50s and '60s that was based on the lush styles of latter-day swing and big band music)"@eng,
"Work cat.: Donny & the Royales. Shaken not stirred [SR] p2000: (Lounge zone series)"@eng;
skos:prefLabel "Lounge music"@eng.
lcsh:sh2003000186 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "All music guide, via WWW, Jan. 16, 2003 (Bhangra is the music of Britain's growing Asian population ... For decades bhangra was exclusively the province of the Punjabis, but by the late '70s it had emerged as the music of choice of second- and third-generation British Asians as well)"@eng,
"American Heritage Dictionary, via WWW, Jan. 16, 2003 (bhangra: 1. a Punjabi dance music traditionally performed during harvest festivals and weddings, characterized by the beating of a large, two-headed drum 2. A popular style of music combining traditional bhangra drumming with modern Western instruments and rhythms)"@eng,
"Imperial College Sikh Society (Univ. of London) homepage, via WWW, Jan. 16, 2003 (What is bhangra? Bhangra is a generic term that has been adopted to describe modern Asian pop music. However, it is actually the correct term for the traditional agricultural folk music originating from the Punjab ... Modern bhangra began in the UK about twenty years ago and has its roots firmly in the traditional folk songs of the Punjab)"@eng,
"Work cat.: Maahiya [SR] p1992: container (the most exciting bhangra album by Waaris Group)"@eng;
skos:prefLabel "Bhangra (Music)"@eng.
lcsh:sh2003002063 a skos:Concept;
skos:altLabel "Garage band music"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "All music guide WWW site, Jan. 27, 2003 (Garage rock was a simple, raw form of rock & roll created by a number of American bands in the mid-'60s.)"@eng,
"Grovemusic.com WWW site, Jan. 27, 2003 (under Garage (form of 20th-century club dance music): As \"garage\" rock, the term had earlier been used to denote movement primarily outside the commercial rock mainstream, predominantly in the USA and beginning in the 1960s)"@eng,
"Pickering, D. Cassell comp. 20th-cent. mus. (Garage band: Amateur rock or pop group, which rehearses in a garage or in other modest surroundings)"@eng,
"Shuker, R. Key concepts pop. mus. (Garage bands; garage rock: The garage bands of the late 1960s, so called as exponents made the music in the garage or basement, were especially prominent in the U.S., where they responded to the British invasion of the American market.)"@eng,
"The Garage WWW site, Jan. 27, 2003 (Garage rock is considered to have reached its peak in the U.S. during the mid-sixties. For the most part the bands were of high-school age and fed off the musical frenzy generated by the British Invasion groups.)"@eng,
"White, D. Dict. pop. mus. styles world (under United States: Garage rock: Rock music that sounds like it was [sic] recorded in a garage; raw style of rock that began in the 1960s)"@eng,
"Work cat.: 2001126057: Hall, R. Playing for a piece of the door, c2001."@eng;
skos:prefLabel "Garage rock music"@eng.
lcsh:sh2003002064 a skos:Concept;
skos:altLabel "Fraternity rock music"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "All music guide WWW site, Jan. 27, 2003 (Frat rock was garage rock before there was garage rock--big, dumb party music that was raw, ragged, and fun. Songs like \"Double Shot of My Baby's Love\" and \"Louie Louie\"--singles that were so catchy and so simple, any band could cover them and sound good. These songs were favorites of covers bands in the early '60s, when local bands frequently played parties at fraternity houses)"@eng,
"Grovemusic.com WWW site, Jan. 27, 2003; Shuker, R. Key concepts pop. mus.; White, D. Dict. pop. mus. styles world; Pickering, D. Cassell comp. 20th-cent. mus."@eng,
"Work cat.: 2001126057: Hall, R. Playing for a piece of the door, c2001."@eng;
skos:prefLabel "Frat rock music"@eng.
lcsh:sh2003002247 a skos:Concept;
skos:altLabel "Emocore (Music)"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "All music guide WWW site, Aug. 1, 2003 (One of the more popular underground rock styles at the turn of the millenium; some emo leans toward the progressive side, full of complex guitar work, unorthodox song structure, arty noise, and extreme dynamic shifts; some emo is much closer to punk-pop. Lyrics are deeply personal and can be prone to excess; groundwork for emo was laid by Hüsker Dü in 1984 with its Zen arcade)"@eng,
"Shuker, R. Key concepts in popular music, 1998"@eng,
"What the heck is Emo anyway? WWW site, Aug. 1, 2003 (Emo is a broad title that covers a lot of different styles of emotionally-charged punk rock, with little agreement as to its beginnings. One school subscribes to its having started in Washington, D.C. in the mid-'80s, moving from hardcore punk bands toward a distinctive distorted guitar sound. Recordings tend to be analog only, and most records are put out on small home-run, or private, labels)"@eng,
"Work cat.: 2003058543: Greenwald, A. Nothing feels good : punk rock, teenagers, and EMO, 2003: CIP, p. 7 (Emo is short for emotional; originally short for Emocore)"@eng;
skos:prefLabel "Emo (Music)"@eng.
lcsh:sh2003006845 a skos:Concept;
skos:broader lcsh:sh85059850;
skos:editorialNote "AMG All Music Guide WWW Site, 28 May 2003 (Death Metal grew out of the thrash metal in the late '80s. Taking the gritty lyrics and morbid obsessions of thrash to extremes, death metal was--as its name suggests--solely about death, pain, and suffering. These relentlessly bleak lyrics were set to loud, heavy riffs that owed as much to the lumbering metal of Black Sabbath as it did to Metallica)"@eng,
"Death: more than death metal WWW Site, 21 May 2003 (the definition death metal was called into being because of the drift of the lyrics - death in all its shapes - and the death rasp which the \"singers\" use)"@eng,
"The First Bosnian Metal WWW Site, 21 May 2003: death metal page (Discarding harmony and nihilistically embracing the chromatic scale as law, early death metal bands espoused beliefs in the evil and orderless, the chaotic and the painful. Their rhythmic violence and insistence upon wildly-constructed and atonal guitar solos made them an instant target of both critique and shameless ripoff. By 1992 the peak had been reached, and afterwards soundalikeness pervaded all but the most individually-conceived bands. The overuse of death metal's nihilistic inventions -- chromatic open phrasing and chaotic soloing -- had made that genre, like hardcore punk a decade before, the anti-commercial musical breakdown that in the end made it easier for ripoffs to dress up rock n roll in new production values to create a new product flow to meet a genre-identified need.)"@eng,
"Work cat.: Sharpe-Young, G. Rockdetector A-Z of death metal, 2001: p. i (Death metal is the leviathan of Heavy Metal taken to its most mind-numbing extreme. Even though death metal bands operate on the very perimeters of the genre, the scope of musical variety is wide ranging. In general, the style relies on acts pursuing faster more aggressive patterns. Although this is apparent within the ferocity of the guitars and the almost insane pummelling of drums, it is the vocals that personify Death Metal. Vocalists use their throats as tortured instruments to such an extent that very often the gutteral growls are completely unintelligible)"@eng;
skos:prefLabel "Death metal (Music)"@eng.
lcsh:sh2004002299 a skos:Concept;
skos:broader lcsh:sh85114675;
skos:editorialNote "Work cat.: 00519686: Current alternative, c1996."@eng;
skos:prefLabel "Bass guitar music (Rock)"@eng.
lcsh:sh2005002431 a skos:Concept;
skos:broader lcsh:sh85114675;
skos:editorialNote "Work cat.: 2005560469: Dream Theater (Musical group). Keyboard anthology, c2004."@eng;
skos:prefLabel "Electronic keyboard music (Rock)"@eng.
lcsh:sh2005002777 a skos:Concept;
skos:broader lcsh:sh85114675;
skos:prefLabel "Electric guitar music (Rock)"@eng.
lcsh:sh2005003278 a skos:Concept;
skos:altLabel "Rock music and gays"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "Work cat.: 2005048060: Homocore, 2005: CIP t.p. (The loud and raucous rise of queer rock)"@eng;
skos:prefLabel "Gays and rock music"@eng.
lcsh:sh2005004632 a skos:Concept;
skos:broader lcsh:sh85059850;
skos:prefLabel "Guitar music (Heavy metal)"@eng.
lcsh:sh2005005378 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "All music guide WWW site, Aug. 16, 2005 (Latin pop became the most popular form of Latin music in the United States during the '80s and '90s. It retained Latin rhythms in its uptempo numbers but relied more on mainstream pop for its melodic sense. Most of its artists sang in Spanish for Latino audiences, although Latin pop's similarity to the mainstream helped several performers score crossover hits when they chose to record in English. Latin pop's first major crossover star was Gloria Estefan; others include Jon Secada, Selena, Ricky Martin, and Jennifer Lopez. Under Latin: Latin pop--either dance-based or pop oriented-music sung in Spanish or Tejano)"@eng,
"Amazon.com, Aug. 16, 2005 (Latin pop)"@eng,
"Grove music online, Aug. 16, 2005 (under Pop, North America, the 1990s: Latin pop)"@eng,
"Wikipedia WWW site, Aug. 16, 2005 (under Grammy Awards: Latin: best Latin pop album)"@eng,
"Work cat.: Martin, R. Vuelve [SR] p1998."@eng;
skos:prefLabel "Latin pop (Music)"@eng.
lcsh:sh2005006972 a skos:Concept;
skos:altLabel "Popular music and homosexuality"@eng;
skos:broader lcsh:sh85088865;
skos:editorialNote "Work cat.: 2005030587: Queering the popular pitch, 2006."@eng;
skos:prefLabel "Homosexuality and popular music"@eng.
lcsh:sh2006006396 a skos:Concept;
skos:broader lcsh:sh85059850;
skos:editorialNote "Wikipedia, Aug. 24, 2006 (Extreme metal is a broad term for metal subgenres of a more aggressive style than traditional heavy metal; vocals are performed in a growl, scream, or both)"@eng,
"Work cat.: 2006027931: Kahn-Harris, Keith. Extreme metal, 2007: ECIP data view (one step beyond heavy metal; consists of dangerous themes such as death, war, and the occult, sometimes embracing violence, neo-fascism, and Satanism)"@eng;
skos:prefLabel "Extreme metal (Music)"@eng.
lcsh:sh85019058 a skos:Concept;
skos:altLabel "Calypso (Songs, etc.)"@eng;
skos:broader lcsh:sh85088865;
skos:narrower lcsh:sh2002002609;
skos:prefLabel "Calypso (Music)"@eng.
lcsh:sh85072636 a skos:Concept;
skos:broader lcsh:sh85070427,
lcsh:sh85088865;
skos:prefLabel "Klezmer music"@eng.
lcsh:sh85091406 a skos:Concept;
skos:broader lcsh:sh96004375;
skos:editorialNote "Shuker, R. Key concepts in popular music, 1998 (alternative rock/alternative music: broad label and loose genre/style, used since late 1960s for popular music seen as less commercial and mainstream, and more authentic and \"uncompromising\"; present scene builds on remains of punk; late 1970s punk/new wave bands and post-punk/new wave performers also cited as part of the alternative scene)"@eng,
"Strong, M.C. The great alternative & indie discography, 1999 (originally intended to cover punk and new wave)"@eng;
skos:prefLabel "New wave music"@eng.
lcsh:sh85101757 a skos:Concept;
skos:broader lcsh:sh85114675;
skos:prefLabel "Piano--Studies and exercises (Rock)"@eng.
lcsh:sh85109128 a skos:Concept;
skos:broader lcsh:sh85109126,
lcsh:sh96004375;
skos:editorialNote "Shuker, R. Key concepts in popular music, 1998 (alternative rock/alternative music: broad label and loose genre/style; punk in late 1970s was clearly alternative, and present scene builds on remains of punk)"@eng,
"Strong, M.C. The great alternative & indie discography, 1999 (originally intended to cover punk and new wave)"@eng;
skos:narrower lcsh:sh2003002059,
lcsh:sh99013526;
skos:prefLabel "Punk rock music"@eng.
lcsh:sh85110853 a skos:Concept;
skos:altLabel "Rags (Popular music)"@eng,
"Ragtime music--United States"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85088865;
skos:editorialNote "LCCN 92765385: Original piano rags from the Golden Age of Rag, 19--."@eng,
"New Grove dict. of Amer. music (ragtime: a style of popular music that flourished from about 1896 to 1918; its most important element, rhythmic syncopation, was recognized as a general trait of Afro-American music; lost strength during World War I, giving way to jazz, the new American syncopated popular music)"@eng,
"New Grove dict. of mus. WWW site, Jan. 17, 2006 (rags: passim.)"@eng;
skos:narrower lcsh:sh00000660,
lcsh:sh2003002091,
lcsh:sh85057835,
lcsh:sh85095479,
lcsh:sh85101813;
skos:prefLabel "Ragtime music"@eng;
skos:scopeNote "This heading is assigned to ragtime music for two or more performers."@eng.
lcsh:sh85111437 a skos:Concept;
skos:altLabel "Hip-hop music"@eng,
"Rap (Music)--United States"@eng,
"Rap songs"@eng,
"Rappin' (Music)"@eng,
"Rapping (Music)"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85086921,
lcsh:sh85088865;
skos:editorialNote "New Grove dict. of Amer. music, 1986 (hip-hop: collective term for the black urban art forms ... consisting of break dancing, graffiti art, and rap)"@eng,
"New Grove dict. of American music, c1986 (rap)"@eng,
"New Grove, 2nd ed. WWW site, Jan. 29, 2001 (rap: predominantly African-American musical style that first gained prominence in the late 1970s; characterized by semi-spoken rhymes declaimed over a rhythmic musical backing, drawn from the sampling of pre-existing recordings and the use of DJ mixing techniques)"@eng,
"Rolling Stone encyc. of rock & roll, c1983 (rap)"@eng,
"Shaw, A. Dict. of American pop/rock, c1982 (rapping)"@eng,
"The source, No. 50 (Nov. 1993): p. 9 (hip-hop music)"@eng,
"Work cat.: Watkins, W.H. All you need to know about rappin', c1984: CIP galley (rap songs)"@eng;
skos:narrower lcsh:sh2002007238,
lcsh:sh2002012156,
lcsh:sh2005003637,
lcsh:sh2005007485,
lcsh:sh97003959;
skos:prefLabel "Rap (Music)"@eng.
lcsh:sh85113834 a skos:Concept;
skos:altLabel "Music, Rhythm and blues"@eng,
"R & B (Music)"@eng,
"R&B (Music)"@eng,
"Rhythm 'n' blues music"@eng,
"Rhythm and blues music--United States"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85088865;
skos:editorialNote "All music guide website, Oct. 13, 2000 (R&B: Evolving out of jump blues in the late 40's, R&B laid the groundwork for rock & roll)"@eng,
"New Grove dict. of Am. mus.: (style of popular music performed principally by Blacks from the late 1940s to the early 1960s; grew out of the blues and blues-related styles, particularly those of the Mississippi delta; unlike traditional blues, which is generally performed by soloists, rhythm-and-blues is performed by an ensemble)"@eng;
skos:prefLabel "Rhythm and blues music"@eng.
lcsh:sh85116847 a skos:Concept;
skos:altLabel "Salsa"@eng;
skos:broader lcsh:sh85088865;
skos:editorialNote "Random House (salsa: a lively, vigorous type of contemporary Latin American popular music, blending predominantly Cuban rhythms with elements of jazz, rock, and soul music)"@eng;
skos:prefLabel "Salsa (Music)"@eng;
skos:scopeNote "This heading is not qualified by medium of performance. For salsa for a specific medium, an additional heading is assigned for the medium of performance."@eng.
lcsh:sh85125359 a skos:Concept;
skos:altLabel "Soul music--United States"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85088865;
skos:narrower lcsh:sh2002002609,
lcsh:sh2004002274,
lcsh:sh2005004633;
skos:prefLabel "Soul music"@eng.
lcsh:sh87003318 a skos:Concept;
skos:altLabel "Popular music, Instrumental"@eng,
"Popular songs (Instrumental settings)"@eng,
"Songs, Popular (Instrumental settings)"@eng;
skos:broader lcsh:sh85066774,
lcsh:sh85088865;
skos:prefLabel "Popular instrumental music"@eng.
lcsh:sh88006866 a skos:Concept;
skos:altLabel "Doo-wop (Music)--United States"@eng,
"Doowop (Music)"@eng,
"Du-wop (Music)"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "New Grove dict. of Amer. mus. (doo-wop; a style of vocal rock-and-roll popular in the 1950's and early 1960's, essentially unaccompanied, close harmony singing)"@eng,
"OCLC, 10/28/92 (du-wop)"@eng,
"Work cat.: 20 great doowop recordings [SR], 198-: labels (doowop) container (doo wop)"@eng;
skos:prefLabel "Doo-wop (Music)"@eng.
lcsh:sh88007609 a skos:Concept;
skos:altLabel "Popular music and drugs"@eng;
skos:broader lcsh:sh85088865;
skos:editorialNote "Work cat.: Shapiro, H. Waiting for the man, 1988."@eng;
skos:prefLabel "Drugs and popular music"@eng.
lcsh:sh89004473 a skos:Concept;
skos:broader lcsh:sh85059850;
skos:editorialNote "Work cat.: Blackmore, R. Original Ritchie Blackmore, c1984."@eng;
skos:prefLabel "Electric guitar--Studies and exercises (Heavy metal)"@eng.
lcsh:sh89004642 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "Hennepin (Zouk music; Caribbean dance music blending West Indian chants, African rhythms, and Western pop)"@eng,
"Work cat.: Zouk sous les cocotiers [SR] p1986."@eng;
skos:prefLabel "Zouk (Music)"@eng.
lcsh:sh90001254 a skos:Concept;
skos:altLabel "Experimental music"@eng,
"Musical avant-garde"@eng;
skos:broader lcsh:sh85010494;
skos:editorialNote "Landy, L. What's the matter with today's experimental music? c1991."@eng,
"New Grove (Avant garde)"@eng,
"Work cat.: Revolution in der Musik, c1989."@eng;
skos:narrower lcsh:sh2001009873;
skos:prefLabel "Avant-garde (Music)"@eng.
lcsh:sh90002359 a skos:Concept;
skos:broader lcsh:sh85088865,
lcsh:sh85122838;
skos:editorialNote "New Grove dict. of Amer. music (jingle)"@eng,
"New Harvard dict. of music"@eng,
"Web. 3 (Jingle)"@eng,
"Work cat.: Stone, A. Jingles, c1990."@eng;
skos:prefLabel "Jingles (Advertising songs)"@eng.
lcsh:sh90004683 a skos:Concept;
skos:broader lcsh:sh85114675;
skos:editorialNote "Work cat.: Morse, S. Steve Morse songbook, c1986."@eng;
skos:prefLabel "Guitar music (Rock)"@eng.
lcsh:sh90004689 a skos:Concept;
skos:broader lcsh:sh85059850;
skos:editorialNote "Work cat.: Michael Schenker, c1986."@eng;
skos:prefLabel "Electric guitar music (Heavy metal)"@eng;
skos:scopeNote "Here are entered compositions in heavy metal style for solo electric guitar."@eng.
lcsh:sh90004892 a skos:Concept;
skos:altLabel "Rock music and motion pictures"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "Work cat.: Défossé, R. Rock et toiles, c1987."@eng;
skos:prefLabel "Motion pictures and rock music"@eng.
lcsh:sh91003281 a skos:Concept;
skos:broader lcsh:sh85114675;
skos:editorialNote "Work cat.: Norton, C. Rock preludes, c1989."@eng;
skos:prefLabel "Piano music (Rock)"@eng.
lcsh:sh93000319 a skos:Concept;
skos:broader lcsh:sh87004063;
skos:editorialNote "Work cat.: Great rockabilly guitar solos, c1988."@eng;
skos:prefLabel "Electric guitar music (Rockabilly)"@eng;
skos:scopeNote "Here are entered compositions in rockabilly style for solo electric guitar."@eng.
lcsh:sh94007382 a skos:Concept;
skos:altLabel "Grunge rock music"@eng;
skos:broader lcsh:sh96004375;
skos:editorialNote "Hennepin; Encyc. of rock, 1988"@eng,
"Periodical abstracts (grunge, grunge music, grunge rock)"@eng,
"Reader's guide abstracts (grunge, grunge music, grunge rock)"@eng,
"Shuker, R. Key concepts in popular music, 1998 (alternative rock/alternative music: broad label and loose genre/style, used since late 1960s for popular music seen as less commercial and mainstream, and more authentic and \"uncompromising\"; label has been applied to the grunge bands of the late 1980s and 1990s and remnants of the underground/counter culture)"@eng,
"Strong, M.C. The great alternative & indie discography, 1999 (originally intended to cover punk and new wave; also covers grunge)"@eng,
"Work cat.: 93077436: Sansevere, J.R. Grunge, c1993 (originated in Seattle; items in discography dated 1985-1992)"@eng;
skos:prefLabel "Grunge music"@eng.
lcsh:sh95000557 a skos:Concept;
skos:broader lcsh:sh85088865,
lcsh:sh85111872;
skos:editorialNote "MAGS, 1-24-95 (karaoke singing)"@eng,
"Random House; Am. heritage dict.; Web. 3; Barnhart dict."@eng,
"Work cat.: 93-79026: Gonda, T.A. Karaoke, the bible, 1993 (karaoke; singing popular songs to prerecorded accompaniments originally usually on cassette; originated in Japan)"@eng;
skos:prefLabel "Karaoke"@eng.
lcsh:sh95005189 a skos:Concept;
skos:altLabel "Funk (Music)--United States"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85088865;
skos:editorialNote "Grove music online WWW site, Mar. 7, 2005: jazz (Jazz-rock; \"a style of music, initiated in the 1960s, which combined the harmonic resources and improvising techniques of modern jazz with the instrumentation, rhythms, and idioms of rock music and funk ... By the late 1970s 'jazz-rock' had largely been replaced by the term 'fusion,' which was also used to describe the blending of jazz with any other type of music ... However ... fusion is still most often thought of as a highly amplified mixture of jazz with rock and funk, and the terms ... may be used interchangeably. From the late 1980s the term 'electric jazz' was also often used\")"@eng,
"New Grove dict. of Amer. music: funk (style of Black popular music which began in the 1960s characterized by vamping and heavy syncopation)"@eng,
"New Grove dict. of jazz: funk (style of Black American popular music which developed in the 1960s out of soul music)"@eng,
"Work cat.: 95032678: Funk, 1995."@eng;
skos:prefLabel "Funk (Music)"@eng;
skos:scopeNote "This heading is assigned to funk music for two or more performers."@eng.
lcsh:sh95008868 a skos:Concept;
skos:altLabel "Minstrel songs"@eng;
skos:broader lcsh:sh85085877,
lcsh:sh85088865;
skos:editorialNote "Foster, S. Minstrel-show songs, 1980."@eng,
"Work cat.: Minstrel songs : old and new, 1882."@eng;
skos:prefLabel "Minstrel music"@eng.
lcsh:sh95010207 a skos:Concept;
skos:altLabel "Acid rock music"@eng,
"Psychedelic music"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "Ency. of rock"@eng,
"LC database, 12/04/95 (psychedelic music)"@eng,
"New Grove dict. of American music (Psychedelic rock (acid rock))"@eng,
"Rolling Stone ency. of rock and roll (Psychedelic rock; also known variously as \"acid rock\" or the \"San Francisco Sound\"; psychedelic music)"@eng,
"Work cat.: 95-49767: DeRogatis, J. Kaleidoscope eyes, 1996 (psychedelic rock)"@eng;
skos:prefLabel "Psychedelic rock music"@eng.
lcsh:sh95010319 a skos:Concept;
skos:altLabel "Art rock music"@eng,
"Prog rock"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "Rolling stone ency. of rock & roll, c1983 (Progressive rock: a form of rock music in which electric instruments and rock-band formats are integrated with European classical motifs and orchestrations, typically forming extended, intricate, multisectional suites; sometimes known as \"art rock\")"@eng,
"The Billboard guide to progressive music, c1977: p. ix (Prog rock)"@eng,
"Work cat.: 95049637: Macan, E.L. Rocking the classics, 1996: CIP t.p. (English progressive rock and the counterculture)"@eng;
skos:prefLabel "Progressive rock music"@eng;
skos:scopeNote "This heading is assigned to progressive rock music for two or more performers."@eng.
lcsh:sh99000162 a skos:Concept;
skos:broader lcsh:sh85059850;
skos:editorialNote "Work cat.: 98-168794: Moynihan, M. Lords of chaos, 1998: t.p. (subtitle: the bloody rise of the Satanic metal underground) preamble (\"Black metal adopts the basic framework of the hardest strain of heavy metal, ripping it down to a poisoned, jagged splinter of aural hate.\" The genre originated in Norway and the most \"infamous\" black metal musician is the Norwegian Varg Vikernes. Musicians and fans are influenced by Satanism and pre-Christian Germanic religion and tradition. They are typically anti-Christian, facist, and racist. Some take direct action through church burning, suicide, and murder.) p. 87 (An illustration from the Norwegian press indicates that the English words \"black metal\" are used in a non-English context) chapters 11-12 (detail the spread of black metal to Germany, Sweden, France, England, Eastern Europe, and the United States)"@eng;
skos:prefLabel "Black metal (Music)"@eng.
lcsh:sh99012468 a skos:Concept;
skos:broader lcsh:sh85088865;
skos:editorialNote "McDevitt, C. Skiffle, 1997."@eng,
"New Grove (Skiffle)"@eng;
skos:prefLabel "Skiffle"@eng;
skos:scopeNote "Here are entered works on the style of popular music developed in England during the 1950s that is based on hillbilly music and rock and roll, and that is played by bands of standard and improvised instruments."@eng.
lcsh:sh99012891 a skos:Concept;
skos:broader lcsh:sh85062974,
lcsh:sh85088865;
skos:editorialNote "All-music guide WWW site, October 1, 1999 (novelty songs; written most often with a humorous gesture; so named because they tell a brief story, sometimes complete and sometimes episodic, with light, lilting, memorable melodies)"@eng,
"Collins, A. Disco duck and other adventures in novelty music, 1998 (novelty songs [book primarily devoted to U.S. artists and songs, but at least one British hit is cited])"@eng,
"Encyc. of rock, 1988 (novelty records)"@eng,
"Pickering, D. Cassell companion to 20th-century music, 1998 (novelty record [cites examples of U.S. and British artists and hits])"@eng,
"White, D. Dict. pop. mus. styles of the world, c1998: under United States (novelty song)"@eng,
"Work cat.: 99050263: Otfinoski, S. The golden age of novelty songs, 2000 (genre peaked in popularity on the charts ca. 1956-1969; line between novelty and mainstream pop remains hazy)"@eng;
skos:prefLabel "Novelty songs"@eng.
lcsh:sh00000588 a skos:Concept;
skos:altLabel "Club music"@eng,
"Dance music (Underground dance music)"@eng,
"Electronic dance music"@eng,
"Electronic music (Underground dance music)"@eng,
"Electronica (Music)"@eng,
"UDM (Music)"@eng;
skos:broader lcsh:sh85035638,
lcsh:sh85088865;
skos:editorialNote "All music guide to electronica, c2001: CIP t.p. (Electronica)"@eng,
"AltaVista WWW search, Apr. 14, 2000 (underground dance music; sites in U.S. and U.K.)"@eng,
"DanceGrooves WWW site, Apr. 14, 2000 (online record store specializing in all kinds of underground dance music: house, techno, garage, trance, HardHouse, and EuroDance)"@eng,
"Electronic primer WWW site, Mar. 1, 2001 (Electronica is the catch-all term for electronic dance and listening music)"@eng,
"New Rolling stone encyc. of rock & roll, c1995; White, D. Dictionary of popular music styles of the world, c1998."@eng,
"Shuker, R. Key concepts in popular music, 1998 (dance music came to be used in a general sense for those popular music genres capable of being danced to; more specifically, in the 1990s, \"dance\" has become associated with dance club scenes and various styles of dance-music)"@eng,
"Work cat.: 00009088: Fikentscher, Kai. \"You better work!\" : underground dance music in New York City, c2000 (UDM; as a musical category of the 1980s and 1990s, developed out of the disco phenomenon of the 1970s; based in New York; core audience is predominantly African American and Latino, male, and gay; variously labeled \"underground,\" \"dance music,\" \"underground dance music\" or \"club music\" by its patrons; house music is the main musical category of UDM)"@eng;
skos:narrower lcsh:sh97008974,
lcsh:sh98001102,
lcsh:sh98003332;
skos:prefLabel "Underground dance music"@eng.
lcsh:sh00000659 a skos:Concept;
skos:broader lcsh:sh85033470,
lcsh:sh85114675;
skos:editorialNote "New Grove dict. of Am. music (country-rock; a style of popular music in which the sound and subject matter of country music are combined with a rock beat and instrumentation)"@eng,
"Shuker, R. Key concepts in popular music (country rock)"@eng,
"White, D. Dict. of popular music styles of the world (country rock; country and rock fusion music by such artists as the Eagles, the Everly Brothers, etc.)"@eng,
"Work cat.: 00031572: Einarson, J. Desperados, 2000: t.p. (country rock) Introd. (originated in the late 1960s)"@eng;
skos:prefLabel "Country rock music"@eng.
lcsh:sh2001009873 a skos:Concept;
skos:broader lcsh:sh85114675,
lcsh:sh90001254;
skos:editorialNote "All music guide to electronica, c2001: p. xii (Brief style descriptions. Noise: Sludgy, abrasive, and punishing. \"Noise\" is everything its name promises, expanding on the music's capacity for sonic assault while almost entirely rejecting the rold of melody and songcraft. From the ear-splitting, teeth-rattling attack of Japan's Merzbow to the thick, grinding intensity of Amphetamine Reptile-label bands like Tar and Vertigo, it's dark, brutal music that pushes rock to its furthest extremes. By the end of the '90s, a resurgence in the use of sine waves--originally explored by musique concrète artists in the '50s--became increasingly frequent among \"noise\" artists such as Otomo Yoshihide) p. 325, under Merzbow (guitar, effects, producer/noise, dark ambient, experimental ... one of the world's most prolific practitioners of eardrum-assaulting Japanese noise)"@eng,
"Incapacitants WWW site, July 9, 2001: profile (The performances of Incapacitants ... are so wide-open that they explode the usual image of noise music. Along with Hijo Kaidan, Merzbow, C.C.C.C., and Solmania, Incapacitants is one of the most well known of the noise bands which started out in the early '80s)"@eng,
"Shuker, R. Key concepts in popular music, 1998; The electronica primer WWW site, July 17, 2001"@eng,
"Work cat.: Incapacitants (Musical group). Incapacitants present No progress [SR] 199- ."@eng;
skos:prefLabel "Noise music"@eng.
lcsh:sh2002002710 a skos:Concept;
skos:altLabel "Aggro-metal (Music)"@eng,
"Nu-metal (Music)"@eng;
skos:broader lcsh:sh85059850,
lcsh:sh96004375;
skos:editorialNote "All Music Guide WWW site, Mar. 22, 2002 (Alternative metal; alternative metal emerged around 1993-94, centered around the rap-metal fusions of Rage Against the Machine and Korn ...; this new movement was sometimes dubbed aggro-metal, nu-metal, or (incorrectly) hardcore; by the end of the decade countless new bands were performing that style)"@eng,
"Work cat.: 2002024371: Guitar world presents nu-metal, 2000: CIP t.p. (nu-metal) galley (heavy metal)"@eng;
skos:prefLabel "Alternative metal (Music)"@eng.
lcsh:sh2003002221 a skos:Concept;
skos:broader lcsh:sh85015115,
lcsh:sh85114675;
skos:editorialNote "All music guide WWW site, Oct. 31, 2003 (Blues-rock: Though much early rock & roll was based in the blues, blues-rock didn't fully develop into a subgenre until the late '60s; in the early '70s, the lines between blues-rock and hard rock were barely visible; however, blues-rock soon backed away from hard rock, and there was a set number of acts that continued to play (and rewrite) blues standards as well as write their own songs in the same idiom; in the '80s and '90s, blues-rock was more roots-oriented than in the '60s and '70s)"@eng,
"Grovemusic.com WWW site, Oct. 31, 2003 (Blues-rock: style of popular music that flourished during the 1960s; originated in and is particularly associated with Britain; attempted to counter the banality of the hit-parade material and of rock and roll by retrieving what was felt to be emotionally more \"authentic\" blues material; by the mid-1960s, some white U.S. musicians, of a slightly younger generation, were making much use of similar blues material)"@eng,
"White, D. Dict. pop. mus. styles world (under United States: Blues rock: electrified blues and rock fusion music)"@eng,
"Work cat.: 00104616: Blues-rock explosion, c2001."@eng;
skos:prefLabel "Blues-rock music"@eng;
skos:scopeNote "This heading is assigned to blues-rock music for two or more performers."@eng.
lcsh:sh2005001653 a skos:Concept;
skos:altLabel "Electric jazz"@eng,
"Fusion (Music)"@eng,
"Jazz-rock-fusion (Music)"@eng;
skos:broader lcsh:sh85069833,
lcsh:sh85114675;
skos:editorialNote "All music guide WWW site, Mar. 7, 2005: (under Jazz-rock: the term \"first emerged during the late '60s as an attempt to fuse the visceral power of rock with the musical complexity and improvisational fireworks of jazz\"; under Fusion: \"the word ... has been so liberally used since the late '60s that it's become almost meaningless. Fusion's original definition was best: a mixture of jazz improvisation with the power and rhythms of rock\")"@eng,
"Grove music online WWW site, Mar. 7, 2005: jazz (Jazz-rock; \"a style of music, initiated in the 1960s, which combined the harmonic resources and improvising techniques of modern jazz with the instrumentation, rhythms, and idioms of rock music and funk ... By the late 1970s 'jazz-rock' had largely been replaced by the term 'fusion,' which was also used to describe the blending of jazz with any other type of music ... However ... fusion is still most often thought of as a highly amplified mixture of jazz with rock and funk, and the terms ... may be used interchangeably. From the late 1980s the term 'electric jazz' was also often used\")"@eng,
"Work cat.: Nicholson, S. Jazz-rock, c1998."@eng;
skos:prefLabel "Jazz-rock (Music)"@eng.
lcsh:sh2005006466 a skos:Concept;
skos:broader lcsh:sh85035638,
lcsh:sh85114675;
skos:editorialNote "New Grove dict. of Amer. mus.: The first rock dance to achieve widespread acceptance"@eng;
skos:prefLabel "Twist (Music)"@eng.
lcsh:sh2006002027 a skos:Concept;
skos:altLabel "Boo-ga-loos (Music)"@eng,
"Boogalus (Music)"@eng,
"Bugaloos (Music)"@eng,
"Popcorn music"@eng,
"Shing-a-lings (Music)"@eng;
skos:broader lcsh:sh85035638,
lcsh:sh85088865;
skos:editorialNote "All Music Guide web page, Mar. 20, 2006 (Genre: Boogaloo: The sound of Latin teenagers in and around New York during the mid- to late-'60s, Boogaloo was an Anglicized form of Latin music incorporating R&B, mambo, and rock & roll, among other forms. Often known as popcorn music or shing-a-ling, the style is also quite similar to Latin soul)"@eng,
"BuscaSalsa.com, Mar. 20, 2006 (Black Renaissance/Renaissance Noire July 31, 1999 v.2, no.2 p.22, \"Cha Cha with A Backbeat\" : Songs and Stories of Latin Boogaloo: \"Between the mambo and salsa, in the brief period spanning the years 1966-1968, the boogaloo was all the rage in the New York Latin community and beyond. It was both a bridge and a break, for with all the continuities and influences in terms of musical style, the boogaloo diverged from the prevailing models of Latin music in significant ways)"@eng,
"LC database, May 8, 2006 (Boogaloo, boo-ga-loo)"@eng,
"Random House dict. (bugaloo, a fast dance of Afro-American origin...)"@eng,
"SalsaRoots.com Web site, June 7, 2006 (Boogalu (a.k.a. Boogaloo))"@eng,
"Wikipedia, Mar. 20, 2006 (Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. Boogaloo originated in New York City among teenage Cubans and Puerto Ricans. The style was a fusion of popular African American R&B, rock and roll and soul with mambo and son montuno. Boogaloo entered the mainstream through the American Bandstand television program)"@eng,
"Work cat.: The rough guide to boogaloo [SR] p2005: insert (Boogaloo was one of Latin music's shortest-lived trends: it flared into life in the early 1960s and, within a decade ... [was] overtaken by what became known as salsa ... With hindsight, boogaloo was inevitable. Around 1960, the mambo obsession was cooling, and the ... cha-cha-cha was taking its place. New York bandleader Johnny Pacheco ... created a wilder, modern, very New York version called pachanga ... Pachanga was just a kick away from the crossbreed boogaloo -- or Latin soul as it was also known)"@eng;
skos:prefLabel "Boogaloos (Music)"@eng.
lcsh:sh85015115 a skos:Concept;
skos:altLabel "Blues (Music)--United States"@eng,
"Blues (Songs, etc.)"@eng,
"Jive (Music)"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85049847,
lcsh:sh85088865;
skos:editorialNote "New Grove dict. of Amer. mus.: secular black-American folk music of the 20th century, which has a history and evolution separate from, but sometimes related to, that of jazz; until the end of World War II blues recordings had been classified and marketed as race records--this segregation contributed to the development of postwar rhythm-and-blues, a term free of racial connotations"@eng;
skos:narrower lcsh:sh2001002391,
lcsh:sh2003002221,
lcsh:sh2005002779,
lcsh:sh2005005171,
lcsh:sh2005006608,
lcsh:sh2006007950,
lcsh:sh85101802,
lcsh:sh88003534,
lcsh:sh90002668;
skos:prefLabel "Blues (Music)"@eng;
skos:scopeNote "This heading is assigned to blues with voice(s) or for two or more instrumentalists."@eng.
lcsh:sh85038337 a skos:Concept;
skos:altLabel "Music, Disco"@eng;
skos:broader lcsh:sh85035638,
lcsh:sh85088865;
skos:prefLabel "Disco music"@eng.
lcsh:sh85055979 a skos:Concept;
skos:altLabel "Gospel music--United States"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85088865,
lcsh:sh85116317;
skos:editorialNote "New Grove dict. of mus. WWW site, June 2, 2005: American religious song with texts that reflect aspects of the personal religious experience of Protestant evangelical groups, both white and African-American."@eng;
skos:narrower lcsh:sh2002007239,
lcsh:sh2005002770,
lcsh:sh85113446,
lcsh:sh86002542;
skos:prefLabel "Gospel music"@eng.
lcsh:sh86002540 a skos:Concept;
skos:altLabel "Jesus rock music"@eng,
"Rock music, Christian"@eng;
skos:broader lcsh:sh85114675,
lcsh:sh86002542;
skos:editorialNote "Baker, P. Contemporary Christian music, 1985: p. xix (Christian rock)"@eng,
"Hennepin (Christian rock music; x-refs. from Contemporary Christian music, Jesus music, Rock music, Christian)"@eng,
"Work cat.: Rabey, S. The heart of rock and roll, c1986: CIP galley (Christian rock)"@eng;
skos:prefLabel "Christian rock music"@eng.
lcsh:sh87004213 a skos:Concept;
skos:altLabel "Ecology rock music"@eng,
"Electric folk music"@eng,
"Folkrock music"@eng,
"Soft rock music"@eng;
skos:broader lcsh:sh85049843,
lcsh:sh85114675;
skos:editorialNote "9,000 words (folk-rock)"@eng,
"Hennepin (Folk-rock music)"@eng,
"The Electric muse, c1975 (the story of folk into rock)"@eng,
"Vassal, J. Electric children, 1976 (folkrock)"@eng,
"Work cat.: Nite, N. Rock on, 1984: p. xvi (folk/soft/ecology rock)"@eng;
skos:prefLabel "Folk-rock music"@eng.
lcsh:sh90002707 a skos:Concept;
skos:altLabel "Jive (Music)"@eng,
"Swing (Music)--United States"@eng;
skos:broader lcsh:sh85069833,
lcsh:sh85088865;
skos:editorialNote "New Grove dict. jazz (quality attributed to jazz performance ... has resisted concise definition or description; name given to a jazz style and to a related phase of popular music which originated around 1930 ... repertory based largely on Tin Pan Alley songs)"@eng,
"Web. 3."@eng;
skos:narrower lcsh:sh2005002987,
lcsh:sh2005004640;
skos:prefLabel "Swing (Music)"@eng;
skos:scopeNote "This heading is assigned to swing for two or more performers."@eng.
lcsh:sh93009016 a skos:Concept;
skos:altLabel "Cajuns--Music"@eng,
"Music, Cajun"@eng;
skos:broader lcsh:sh85049843,
lcsh:sh85088865;
skos:editorialNote "New Harvard dict. of music (Zydeco: The closely related music as performed by white musicians is usually termed Cajun.)"@eng,
"Penguin encyc. of popular music (Musical genre indigenous to Louisiana among descendants of French colonialists ...)"@eng,
"Work cat.: Swampland jewels : Cajun music from the Louisiana bayous [SR] p1991."@eng;
skos:prefLabel "Cajun music"@eng;
skos:scopeNote "Here are entered traditional music of the Cajuns and music containing elements of or inspired by traditional music in the Cajun style."@eng.
lcsh:sh97007363 a skos:Concept;
skos:altLabel "Habanera (Music)"@eng,
"Havaneres"@eng;
skos:broader lcsh:sh85035638,
lcsh:sh85088865;
skos:editorialNote "New Grove (Habanera)"@eng,
"New Harvard dict. of music (19th c. song and dance form of Cuban origin)"@eng,
"Orovio, H. Dicc. de la música cubana (song and dance form originating in Cuba having a moderate duple meter and exact rhythm similar to that of a tango; during the 2nd half of the 19th cent. a dance genre, later became mainly a vocal genre; popular in Spain, other parts of Europe, and Latin America)"@eng,
"Random House (dance of Cuban origin; music for this dance)"@eng,
"Web. 3. (Habanera)"@eng,
"Work cat.: 95217393: Pérez Diz, C. L'Havanera, 1995."@eng;
skos:prefLabel "Habaneras"@eng;
skos:scopeNote "Here are entered musical compositions. This heading is not qualified by medium of performance. For habaneras for a specific medium, an additional heading is assigned for the medium of performance."@eng,
"Works on the habanera as a dance are entered under Habanera (Dance)."@eng.
lcsh:sh98001264 a skos:Concept;
skos:altLabel "Celts--Music"@eng,
"Music, Celtic"@eng;
skos:broader lcsh:sh85049843,
lcsh:sh85088865;
skos:editorialNote "All music guide WWW site, Nov. 30, 2001 (Celtic music; styles: Celtic folk (blend of British folk and Celtic music; has structure of traditional British and Celtic music, but attitude and aesthetics of modern-day folk and contemporary singer/songwriters); Celtic gospel (gospel songs, both traditional and new compositions, performed in Celtic style); Celtic pop (melodies (and perhaps instrumentation) are unmistakably influenced by the authentic article, but at its core the music follows pop conventions and would rarely be mistaken for the traditional form; contemporary Celtic (started during the '80s and '90s by several artists (such as Clannad) that expanded boundaries of Celtic music by adding elements of pop, rock, folk, jazz, and New Age music); traditional Celtic; Celtic fusion (incorporates elements of traditional Celtic music with New Age and pop); Celtic New Age (hybrid of Celtic themes, instrumentation, and songs, plus new age production and sensibilities); Celtic rock (traditional Irish instruments combined with rock rhythms))"@eng,
"Companion to traditional Irish music, c1999 (Celtic music: Fanciful term which expresses a world-view or record-shelf category rather than actual links between music genres.)"@eng,
"Garland encyc. of world music: v. 8, p. 319-322 (Celtic music: Scholars have never fully clarified their application of the adjective Celtic to music.)"@eng,
"MacInnes, S. A journey in Celtic music, Cape Breton style, c1997."@eng,
"New Grove, 2nd ed. WWW site, Nov. 30, 2001 (Celtic music: see Celtic chant, Ireland, Wales, Scotland, and Europe, Pre- and Proto-historic)"@eng,
"Shuker, R. Key concepts in popular music, 1998 (Celtic music: Irish in origin but more widely influential, contemporary Celtic popular music is an example of a hybrid, metagenre, variants of which have crossed over into the mainstream of popular music; frequently involves a blending of traditional and modern forms; in much of this work, traditional Irish melodies are given a pop/rock dimension, with lyrics sometimes in Gaelic.)"@eng,
"White, D. Dict. of popular music styles of the world, c1998: under United States (Celtic music: music associated with the Celtic culture; style became in vogue in the 1980s)"@eng;
skos:prefLabel "Celtic music"@eng;
skos:scopeNote "Here are entered traditional music of Celtic ethnic groups in general and musical works containing elements of or inspired by traditional music in the Celtic style. Celtic folk music in specific forms is entered under headings such as Strathspeys; Folk songs, Breton; Fiddle tunes--Scotland; Folk music--Ireland; etc."@eng.
lcsh:sh98005303 a skos:Concept;
skos:altLabel "Generic industrial music"@eng,
"New musick (Industrial music)"@eng;
skos:broader lcsh:sh85035638,
lcsh:sh85088865;
skos:editorialNote "\"Dark Industrial Zone\", URL:http://ieva05.lanet.lv/ ̃sd50031/raksti.html (\"... characterized by heavy percussion, synthesized or electronic melodies, distorted and/or manipulated vocals, and cut-and-paste construction. It is often the product of angry white young men; resonating primarily with themes of alienation, anger, pain, oppression, and control. Often danceable, industrial music has noticeable repetitive rhythms and chant-like choruses, which are often played out in variations of a traditional AABA song structure\"; may include \"found sounds\" from metal objects or tools such as a power drill or moving apparatus in a factory)"@eng,
"Hennepin (Industrial music)"@eng,
"Industrial culture handbook, 1988: p. 5 (Generic industrial; New musick)"@eng;
skos:narrower lcsh:sh2003002073;
skos:prefLabel "Industrial music"@eng;
skos:scopeNote "Here is entered popular music in a style that arose in the 1970s that contains elements of punk rock, electronic music, and machinery sounds, and that sometimes includes lyrics or behavior considered offensive."@eng.
lcsh:sh85013941 a skos:Concept;
skos:altLabel "Big band jazz"@eng,
"Big band music--United States"@eng,
"Symphonic jazz"@eng;
skos:broader lcsh:sh85069833,
lcsh:sh85088865;
skos:editorialNote "New Grove dict. of Am. music: big band (a distinctive feature of the music played by such bands was the pitting against each other of the reed and brass sections)"@eng,
"New Grove dict. of jazz: Bands, 4, iii (The big-band boom: During the early 1920s symphonic jazz swept everything before it)"@eng,
"New Grove dict. of jazz: Big band (term used principally to describe the swing bands of the 1930s and 1940s)"@eng,
"Stowe, D.W. Swing changes : big-band jazz in New Deal America, 1994."@eng;
skos:narrower lcsh:sh85069851;
skos:prefLabel "Big band music"@eng;
skos:scopeNote "Here are entered compositions not in a specific form or of a specific type for big band, and collections of compositions in several forms or types for big band."@eng.
lcsh:sh85033470 a skos:Concept;
skos:altLabel "Country and western music"@eng,
"Country music--United States"@eng,
"Hillbilly music"@eng,
"Western and country music"@eng;
skos:broader lcsh:sh85049847,
lcsh:sh85088865;
skos:narrower lcsh:sh00000659,
lcsh:sh2002007239,
lcsh:sh2005005206,
lcsh:sh85015108,
lcsh:sh85061879,
lcsh:sh86000090,
lcsh:sh87004063,
lcsh:sh96005012;
skos:prefLabel "Country music"@eng;
skos:scopeNote "This heading is assigned to country music for two or more performers."@eng.
lcsh:sh85069851 a skos:Concept;
skos:altLabel "Jazz songs"@eng,
"Jazz vocals with big band"@eng,
"Jazz vocals with jazz ensemble"@eng,
"Jazz vocals--United States"@eng,
"Scat singing"@eng,
"Songs, Jazz"@eng,
"Vocals, Jazz"@eng;
skos:broader lcsh:sh85013941,
lcsh:sh85069833,
lcsh:sh85088865,
lcsh:sj96006132;
skos:prefLabel "Jazz vocals"@eng;
skos:scopeNote "Here are entered songs performed in jazz style by a vocalist or vocal group, with or without accompaniment. Jazz instrumental works for two or more performers are entered under Jazz."@eng.
lcsh:sh86002542 a skos:Concept;
skos:altLabel "CCM (Contemporary Christian music)"@eng,
"Christian contemporary music"@eng,
"Christian music, Contemporary"@eng,
"Christian popular music"@eng,
"Evangelical popular music"@eng,
"Jesus music"@eng,
"Popular music, Christian"@eng;
skos:broader lcsh:sh85055979,
lcsh:sh85088865,
lcsh:sh85116385;
skos:editorialNote "Billboard, v. 98, no. 10, 3/8/86: p. 72 (Top inspirational albums)"@eng,
"Hennepin (Christian rock music; x-refs. from Contemporary Christian music; Jesus music; Rock music, Christian)"@eng,
"Time, 3/11/85: p.60 (Christian contemporary music; \"Contemporary Christian is the music of the '80s\"; evangelical pop; a category of gospel music; musical styles vary from mellow pop and folk to rock)"@eng,
"Work cat.: Baker, P. Contemporary Christian music, 1985 (Contemporary Christian music; CCM; earlier called Jesus music)"@eng;
skos:narrower lcsh:sh2002007238,
lcsh:sh86002540;
skos:prefLabel "Contemporary Christian music"@eng.
lcsh:sh87004063 a skos:Concept;
skos:altLabel "Rock-a-billy music"@eng,
"Rockabilly music--United States"@eng;
skos:broader lcsh:sh85033470,
lcsh:sh85114675;
skos:editorialNote "9000 words (Rockabilly)"@eng,
"Hennepin (Rockabilly)"@eng,
"Rock-a-billy from Tennessee [SR], 1982."@eng;
skos:narrower lcsh:sh93000319;
skos:prefLabel "Rockabilly music"@eng.
lcsh:sh85049843 a skos:Concept;
skos:altLabel "Traditional music"@eng;
skos:broader lcsh:sh85088762,
lcsh:sj96005532;
skos:editorialNote "Int. Folk Music Council. Bulletin ... Apr. 1981: t.p. (International Folk Music Council) p. 25 (name of the org. shall be the International Council for Traditional Music (ICTM). The org. was formerly known as the International Folk Music Council)"@eng;
skos:narrower lcsh:sh2005005206,
lcsh:sh85048074,
lcsh:sh85049660,
lcsh:sh85049922,
lcsh:sh87004213,
lcsh:sh93009016,
lcsh:sh98001264;
skos:prefLabel "Folk music"@eng;
skos:scopeNote "For folk music of a specific ethnic group, an additional subject entry is made under the heading [ethnic group]--[place]--Music."@eng.
lcsh:sh85088762 a skos:Concept;
skos:altLabel "Art music"@eng,
"Art music, Western"@eng,
"Classical music"@eng,
"Musical compositions"@eng,
"Musical works"@eng,
"Serious music"@eng,
"Western art music"@eng,
"Western music"@eng;
skos:editorialNote "Amer. Herit. dict. of the Engl. lang., via WWW, Dec. 4, 2001 (art music: Music composed in a classical tradition and intended as serious art, especially as distinguished from popular or folk music)"@eng,
"LC database, Dec. 4, 2001 (Western music; art music; art-music; genre hdg.: Western art music)"@eng,
"New Grove dictionary of music and musicians (Online), Dec. 4, 2001 (151 hits on \"western art music\")"@eng,
"Szabo, M. For the love of music, 2001: abstr. (Western art music) p. 5 (\"Negative attitudes toward Western art music begin in elementary school\")"@eng;
skos:narrower lcsh:sh00000591,
lcsh:sh00000874,
lcsh:sh00003182,
lcsh:sh00009336,
lcsh:sh2001002392,
lcsh:sh2001002506,
lcsh:sh2001002507,
lcsh:sh2001002582,
lcsh:sh2001002805,
lcsh:sh2001002827,
lcsh:sh2001005096,
lcsh:sh2001007952,
lcsh:sh2002002635,
lcsh:sh2002002642,
lcsh:sh2002002656,
lcsh:sh2002002708,
lcsh:sh2002004310,
lcsh:sh2002004928,
lcsh:sh2002011301,
lcsh:sh2003002112,
lcsh:sh2003002207,
lcsh:sh2003002213,
lcsh:sh2003002215,
lcsh:sh2003002240,
lcsh:sh2003002245,
lcsh:sh2003002960,
lcsh:sh2003007319,
lcsh:sh2003007351,
lcsh:sh2004002258,
lcsh:sh2004002260,
lcsh:sh2004002263,
lcsh:sh2004002264,
lcsh:sh2004002267,
lcsh:sh2004002339,
lcsh:sh2004014371,
lcsh:sh2004014443,
lcsh:sh2004014572,
lcsh:sh2004014749,
lcsh:sh2005000007,
lcsh:sh2005000417,
lcsh:sh2005001934,
lcsh:sh2005003065,
lcsh:sh2005003066,
lcsh:sh2005003457,
lcsh:sh2005003843,
lcsh:sh2005005695,
lcsh:sh2005006206,
lcsh:sh2005006288,
lcsh:sh2005006979,
lcsh:sh2006000728,
lcsh:sh2006000844,
lcsh:sh2006001272,
lcsh:sh2006002332,
lcsh:sh2006004469,
lcsh:sh2006007260,
lcsh:sh2006007861,
lcsh:sh85007416,
lcsh:sh85007967,
lcsh:sh85020869,
lcsh:sh85022486,
lcsh:sh85024698,
lcsh:sh85025312,
lcsh:sh85029156,
lcsh:sh85029403,
lcsh:sh85029511,
lcsh:sh85035638,
lcsh:sh85036111,
lcsh:sh85040597,
lcsh:sh85047749,
lcsh:sh85049660,
lcsh:sh85049843,
lcsh:sh85052378,
lcsh:sh85063143,
lcsh:sh85066297,
lcsh:sh85066774,
lcsh:sh85069833,
lcsh:sh85080592,
lcsh:sh85080979,
lcsh:sh85081886,
lcsh:sh85083485,
lcsh:sh85084939,
lcsh:sh85085241,
lcsh:sh85088056,
lcsh:sh85088133,
lcsh:sh85088865,
lcsh:sh85088959,
lcsh:sh85089046,
lcsh:sh85090042,
lcsh:sh85090137,
lcsh:sh85097089,
lcsh:sh85098583,
lcsh:sh85098737,
lcsh:sh85100235,
lcsh:sh85110126,
lcsh:sh85110437,
lcsh:sh85110520,
lcsh:sh85113601,
lcsh:sh85121320,
lcsh:sh85124679,
lcsh:sh85131421,
lcsh:sh85133489,
lcsh:sh85133592,
lcsh:sh85135659,
lcsh:sh85136786,
lcsh:sh85143814,
lcsh:sh85144088,
lcsh:sh85144224,
lcsh:sh85145899,
lcsh:sh86001706,
lcsh:sh87002062,
lcsh:sh87003427,
lcsh:sh87006893,
lcsh:sh87007720,
lcsh:sh88000755,
lcsh:sh89000105,
lcsh:sh89002921,
lcsh:sh90001253,
lcsh:sh90002947,
lcsh:sh90005362,
lcsh:sh91005593,
lcsh:sh92002571,
lcsh:sh92003464,
lcsh:sh92003656,
lcsh:sh93001306,
lcsh:sh93002569,
lcsh:sh93003240,
lcsh:sh93005222,
lcsh:sh93005223,
lcsh:sh94002527,
lcsh:sh94002720,
lcsh:sh94007276,
lcsh:sh96002544,
lcsh:sh96006885,
lcsh:sh97000651,
lcsh:sh97000868,
lcsh:sh97003034,
lcsh:sh98002384,
lcsh:sh98003653,
lcsh:sh98004440,
lcsh:sh98005074,
lcsh:sh98005745,
lcsh:sh99000149,
lcsh:sh99000548,
lcsh:sh99004347,
lcsh:sh99011309,
lcsh:sh99012899,
lcsh:sh99014469;
skos:prefLabel "Music"@eng.
lcsh:sh85069833 a skos:Concept;
skos:altLabel "Accordion and piano music (Jazz)"@eng,
"Clarinet and piano music (Jazz)"@eng,
"Cornet and piano music (Jazz)"@eng,
"Double bass and piano music (Jazz)"@eng,
"Jazz duets"@eng,
"Jazz ensembles"@eng,
"Jazz music"@eng,
"Jazz nonets"@eng,
"Jazz octets"@eng,
"Jazz quartets"@eng,
"Jazz quintets"@eng,
"Jazz septets"@eng,
"Jazz sextets"@eng,
"Jazz trios"@eng,
"Jazz--United States"@eng,
"Jive (Music)"@eng,
"Saxophone and piano music (Jazz)"@eng,
"Vibraphone and piano music (Jazz)"@eng,
"Wind instrument and piano music (Jazz)"@eng,
"Xylophone and piano music (Jazz)"@eng;
skos:broader lcsh:sh85001968,
lcsh:sh85088762;
skos:editorialNote "Web. 3 (jive: hot jazz)"@eng;
skos:narrower lcsh:sh2002002658,
lcsh:sh2003002250,
lcsh:sh2003002976,
lcsh:sh2003005848,
lcsh:sh2005001653,
lcsh:sh2005002778,
lcsh:sh2006007946,
lcsh:sh85000399,
lcsh:sh85013941,
lcsh:sh85032826,
lcsh:sh85038657,
lcsh:sh85049527,
lcsh:sh85057834,
lcsh:sh85059069,
lcsh:sh85066785,
lcsh:sh85069851,
lcsh:sh85080459,
lcsh:sh85095476,
lcsh:sh85101805,
lcsh:sh85117853,
lcsh:sh85138215,
lcsh:sh86000090,
lcsh:sh87001393,
lcsh:sh87002256,
lcsh:sh87007468,
lcsh:sh88004403,
lcsh:sh90002668,
lcsh:sh90002669,
lcsh:sh90002707,
lcsh:sh90003849,
lcsh:sh90003873,
lcsh:sh90003874,
lcsh:sh91002697,
lcsh:sh91003397,
lcsh:sh91005493,
lcsh:sh92004504,
lcsh:sh92006068,
lcsh:sh94002727,
lcsh:sh94006553,
lcsh:sh95002804,
lcsh:sh96001713,
lcsh:sh97006733;
skos:prefLabel "Jazz"@eng;
skos:scopeNote "Here are entered jazz instrumental works for two or more performers. Songs performed in jazz style by a vocalist or vocal group, with or without accompaniment, are entered under Jazz vocals."@eng.
lcsh:sh96004375 a skos:Concept;
skos:altLabel "Alternative music"@eng,
"Alternative pop/rock music"@eng,
"Indie music"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "00300326: Strong, M.C. The great alternative & indie discography, 1999 (originally intended to cover punk and new wave; also covers grunge)"@eng,
"AMG All Music Guide WWW home page, Feb. 26, 2003: Alternative Pop/Rock (catch-all term for post-punk bands from the mid-'80s to the mid-'90s; variety of musical styles within alternative rock, all tied together since they existed outside of the mainstream; lost some of its quirkier tendencies in the '90s, most experimental bands relegated to indie rock)"@eng,
"NY Times, Jan. 10, 1994: p. C18 (alternative rock)"@eng,
"Rolling stone, 1995: no. 709 (alternative rock)"@eng,
"Shuker, R. Key concepts in popular music, 1998 (alternative rock/alternative music: broad label and loose genre/style, used since late 1960s for popular music seen as less commercial and mainstream, and more authentic and \"uncompromising\"; closely associated with independent record labels, and accordingly sometimes referred to as indie music; term \"alternative\" originally used in late 1960s to refer to UK and US underground or counter culture performers; punk in late 1970s was clearly alternative, and present scene builds on remains of punk; alternative label has subsequently been applied to the grunge bands of the late 1980s and 1990s and remnants of the underground/counter culture)"@eng,
"Work cat.: 96019373: Blashill, P. Noise from the underground : a secret history of alternative rock, 1996 (alternative; alternative music)"@eng;
skos:narrower lcsh:sh2002002710,
lcsh:sh2002002865,
lcsh:sh85091406,
lcsh:sh85109128,
lcsh:sh94007382;
skos:prefLabel "Alternative rock music"@eng;
skos:scopeNote "This heading is assigned to alternative rock music for two or more performers."@eng.
lcsh:sh85035638 a skos:Concept;
skos:broader lcsh:sh85066774,
lcsh:sh85088762;
skos:narrower lcsh:sh00000588,
lcsh:sh2001002551,
lcsh:sh2001003492,
lcsh:sh2001005057,
lcsh:sh2002002610,
lcsh:sh2005006466,
lcsh:sh2006002027,
lcsh:sh2006004083,
lcsh:sh85003648,
lcsh:sh85011282,
lcsh:sh85011293,
lcsh:sh85013064,
lcsh:sh85015369,
lcsh:sh85016127,
lcsh:sh85019485,
lcsh:sh85022229,
lcsh:sh85027113,
lcsh:sh85033136,
lcsh:sh85033284,
lcsh:sh85033455,
lcsh:sh85033532,
lcsh:sh85038337,
lcsh:sh85044936,
lcsh:sh85047094,
lcsh:sh85049644,
lcsh:sh85049660,
lcsh:sh85051129,
lcsh:sh85052506,
lcsh:sh85052837,
lcsh:sh85052873,
lcsh:sh85053573,
lcsh:sh85062054,
lcsh:sh85070528,
lcsh:sh85072837,
lcsh:sh85073245,
lcsh:sh85074375,
lcsh:sh85082460,
lcsh:sh85083827,
lcsh:sh85085888,
lcsh:sh85087357,
lcsh:sh85098437,
lcsh:sh85098444,
lcsh:sh85098497,
lcsh:sh85098504,
lcsh:sh85098834,
lcsh:sh85104481,
lcsh:sh85104482,
lcsh:sh85104553,
lcsh:sh85109420,
lcsh:sh85112129,
lcsh:sh85112174,
lcsh:sh85114071,
lcsh:sh85115817,
lcsh:sh85116888,
lcsh:sh85117472,
lcsh:sh85118488,
lcsh:sh85122230,
lcsh:sh85132276,
lcsh:sh85132463,
lcsh:sh85144994,
lcsh:sh96007036,
lcsh:sh97007363,
lcsh:sh98005303;
skos:prefLabel "Dance music"@eng;
skos:scopeNote "For an individual dance which is assigned a heading that is not qualified by medium, a second heading is assigned if the work is for a specific medium, e.g. 1. Mazurkas. 2. Piano music."@eng,
"For works consisting of dance music of an individual ethnic group, additional subject entry is made under the heading [ethnic group]--[place]--Music."@eng,
"Here are entered collections of miscellaneous dance music. Music for individual dances is entered under dance form, e.g., Polkas; Waltzes."@eng,
"If the work is for a specific medium, a second heading is assigned, e.g. 1. Dance music. 2. Piano music."@eng.
lcsh:sh85059850 a skos:Concept;
skos:altLabel "Metal (Music)"@eng;
skos:broader lcsh:sh85114675;
skos:editorialNote "All music guide WWW site, Feb. 3, 2003 (heavy metal; in body of article: heavy metal, metal)"@eng,
"Giffin, B. The Australian metal guide, c2002."@eng;
skos:narrower lcsh:sh2002002710,
lcsh:sh2003006845,
lcsh:sh2005004632,
lcsh:sh2006006396,
lcsh:sh89004473,
lcsh:sh90004689,
lcsh:sh99000162;
skos:prefLabel "Heavy metal (Music)"@eng.
lcsh:sh85114675 a skos:Concept;
skos:altLabel "Rock and roll music"@eng,
"Rock-n-roll music"@eng;
skos:broader lcsh:sh85088865;
skos:narrower lcsh:sh00000659,
lcsh:sh2001009873,
lcsh:sh2003002063,
lcsh:sh2003002064,
lcsh:sh2003002221,
lcsh:sh2003002247,
lcsh:sh2004002299,
lcsh:sh2005001653,
lcsh:sh2005002431,
lcsh:sh2005002777,
lcsh:sh2005003278,
lcsh:sh2005006466,
lcsh:sh85059850,
lcsh:sh85101757,
lcsh:sh86002540,
lcsh:sh87004063,
lcsh:sh87004213,
lcsh:sh88006866,
lcsh:sh90004683,
lcsh:sh90004892,
lcsh:sh91003281,
lcsh:sh95010207,
lcsh:sh95010319,
lcsh:sh96004375;
skos:prefLabel "Rock music"@eng;
skos:scopeNote "This heading is assigned to rock music for two or more performers."@eng.
lcsh:sh85088865 a skos:Concept;
skos:altLabel "Music, Popular"@eng,
"Music, Popular (Songs, etc.)"@eng,
"Pop music"@eng,
"Popular songs"@eng,
"Popular vocal music"@eng,
"Songs, Popular"@eng,
"Vocal music, Popular"@eng;
skos:broader lcsh:sh85088762;
skos:editorialNote "Joynson, V. Dreams, fantasies, and nightmares from far away lands, 1999 (rock and pop, 1963-75)"@eng,
"LC database, Oct. 25, 2000 (hdg.: Popular music; usage: popular music, pop, pop music)"@eng,
"New Rolling stone encyc. of rock & roll, c1995 (pop: basically any popular music that places a premium on accessibility; employs various means to boost both instant appeal and memorability (distinctive syncopation, novel instrumental flourishes, danceable rhythms, repeated riffs), but its signal feature is melodic emphasis; generally, any pop record avoids the experimental, arcane, or edgy, aiming instead, in its production, structural familiarity, and clear sentiment to reach the widest possible audience)"@eng,
"Shuker, R. Key concepts in popular music, 1998 (pop music; while the use of the word \"popular\" in relation to the lighter forms of music goes back to the mid-19th century, the abbreviation \"pop\" was not in use as a generic term until the 1950s, when it was adopted as the umbrella name for a special kind of musical product aimed at a teenage market; often used in an oppositional sense to rock music; seen as a somewhat watered-down, blander version of rock'n'roll, associated with a more rhythmic style and smoother vocal harmony; best of pop survives as \"golden oldies\"; musically defined by general accessibility, emphasis on memorable hooks, and preoccupation with romantic love as a theme)"@eng;
skos:narrower lcsh:sh00000588,
lcsh:sh00003139,
lcsh:sh00003140,
lcsh:sh00003142,
lcsh:sh2001002354,
lcsh:sh2001002368,
lcsh:sh2002007216,
lcsh:sh2003000186,
lcsh:sh2005005378,
lcsh:sh2005006972,
lcsh:sh2006002027,
lcsh:sh85013941,
lcsh:sh85015115,
lcsh:sh85019058,
lcsh:sh85033470,
lcsh:sh85038337,
lcsh:sh85055979,
lcsh:sh85069851,
lcsh:sh85072636,
lcsh:sh85110853,
lcsh:sh85111437,
lcsh:sh85113834,
lcsh:sh85114675,
lcsh:sh85116847,
lcsh:sh85125359,
lcsh:sh86002542,
lcsh:sh87003318,
lcsh:sh88007609,
lcsh:sh89004642,
lcsh:sh90002359,
lcsh:sh90002707,
lcsh:sh93009016,
lcsh:sh95000557,
lcsh:sh95005189,
lcsh:sh95008868,
lcsh:sh97007363,
lcsh:sh98001264,
lcsh:sh98005303,
lcsh:sh99012468,
lcsh:sh99012891;
skos:prefLabel "Popular music"@eng;
skos:scopeNote "Here are entered popular vocal music and collections containing both popular instrumental and vocal music."@eng.